- Sarah Saifee, Sushila Birla Girls' School
The play Chalk About is a symphony of music, dance, and raw dialogue that leaves the viewers filled with bewilderment, amusement and awe. This play is not like your typical Romeo-Juliet or Disney musical and while it does have its feel-good moments, it constantly keeps the audience on its feet, trying to figure out what is going on, trying to draw out a number of associations and symbolisms. That is perhaps what is so beautiful about this play - it does not give the viewers what they want. The characters exist in a world of their own and while they constantly interact with that of the audience’s they are here to tell their own story in their own way and it is up to us to understand it. The characters of this play are Christine and Hendrik who talk about their life stories. They take us through all the heartbreak, pain, suffering, the good parts and the bad that they’ve gone through. While Christine narrated her story in English, Hendrik did not feel comfortable doing so. There was an interlude between Christine and Hendrik’s narration following which Hendrik went on an emotional rant about his life, in another language. The audience could not understand what was being said; we could just feel the emotions, read the expressions and understand the pain or the happiness in his voice, which was a beautiful allusion to the fact that sometimes, you don’t need to know what’s going on, you just need to empathize and be there. True to its title, the play and its characters constantly used chalk for different purposes. They outlined their bodies, used it to trace their steps, drew lines and circles to demarcate areas. They drew, erased and redrew, perhaps to show how we create so many different identities for ourselves; how we fit ourselves in a number of such chalk outlines, trying to figure out and label who we are and how it’s okay to constantly erase and redraw as your identity and your concept of self evolve, and you can begin with a clean slate any time you want. The question of identity is a persistent theme throughout the play and is reflected in the segment where Hendrik interacts with the audience asking them to make assumptions about him. ‘Do I look Scottish?’ ‘Do I look married?’, were some of the questions asked. Each time the audience responded with a concrete yes or no despite not knowing a thing about him. This only goes to show how easy it is for people to make judgments and how your identity is not just what you think about yourself, but is subject to other people’s perceptions. What I loved most about the play was how it did not seem to have a beginning or an end. When it began, none of us felt sure whether it had actually begun and when it ended, I kept expecting the characters to return for another scene. Life is not something which can be defined or understood. It ebbs and flows, permeating through the chalk lines we try to enclose it within. You don’t remember when it began and you never know when it will end. All you do know, is that while you’re there, you might as well try to just give it sense and live it to the best of your abilities. Chalk About was one such play that took the audience through a similar journey, one as beautiful as life itself.
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- Moomal Majee
“I see a sky, I see a sky full of stars….” So I was humming, although it was not exactly a starry night, but a very sunny morning. It was my birthday, and I was waiting at the square for my school-bus. I was very excited and quite impatient to see my dearest friend Romi…. voilà! There’s the bus! I boarded the bus and scanned the seats, but there was no Romi. She surely wouldn’t miss school today, would she? We reached school, sang our prayers, entered our classroom, and then I was bombarded from all sides with “Happy Birthday!” wishes, chocolates, cards and gifts. I still couldn’t spot Romi. Of course I was overwhelmed by the love that I received from the others, but.…. Romi was special for me. Six minutes into the first class, there she was at the door, saying “May I come in?” I shot her a radiant smile, indicating that she sit by me. But strangely enough, Romi joined Leia and Neetu at the back. That puzzled me, because they are also very close friends of mine, but neither had wished me today. But I couldn’t ask them just then, for class was going on. At the end of the first class, I beamed at them once again, but none of them even glanced at me. Had I offended them somehow? Before I could ponder over this thought, the teacher came in. Throughout the pre- lunch break classes, they appeared not to notice me. This thoroughly befuddled me at first, but then it annoyed me. I knew I hadn’t done anything consciously to offend them, and anyway they could at least tell me if I had, so it wasn’t my fault. So I too turned my back on them, my mood already blackened. When the bell rang for the lunch break, Leia came and tapped my shoulder, “Sajiman, come here. “ I was feeling very much irritated by now, and I decided to ignore her. But she tugged at my hands insistently. So I fixed her with a steely glance (you see I was trying my best to appear cold). Seeing this, Leia’s voice assumed an urgent note, “Romi is yelling off her head at the Games Room – something about you betraying her – oh please come quickly!” What?! When didI betrayher? She hadn’t even looked at me since morning, and I was the culprit? I followed Leia toward the room, and opened the door with a furious expression on my face and some pretty bad insults at the tip of my tongue, and I was crushed by a thunderbolt. No, it was actually Romi, Leia and Neetu enveloping me in a bear hug, and drowning me in shouts of “Happy Birthday!” and choking me with a big piece of cake. And I wasglad that I hadn’t blurted out, because all the while they were pretending to ignore me, they were actually planning me a surprise! It was definitely my best birthday! -Deveshi Bose
Along the streets of Kolkata Along the city of passion and joy We admire the heroes From marvel and abroad Yet we never know or see For whom we walk free They are the unsung heroes Whom we forgot along the road - Chitranjana Bandyopadhyay
It’s niftier where she lives. All north breeze and espresso skies. That is to say, I’m lost there. There are trees more green that envy and more aged than wine. Yes, its niftier where she lives. There are five hundred twenty five thousand six hundred minutes in one year. Time slows down there. There, walking along the port holed paving, I was the most foreign creature the pigeons had ever seen. They looked at me funny, frightened. I was a threat, unwanted. It’s strange, where she lives. The houses have two floors, with a garden attached. One grew roses, the other, weeds. Yes, it’s strange, where she lives. Its calm, where she lives. Not a sound of a drill, or a street vendor announcing his arrival. It’s as if, there is a price for a voice to pay- A costly one. Yes, it’s calm where she lives. And she lives there well. - Chitranjana Bandyopadhyay
I live in a limit-less land. There are mosquitoes, and angry men in checkered cotton towels. There are ruminating thoughts that fester in between the rusted cable boxes. And there is a less than fragrant, less than wanted canal that runs parallel, to me. I live in a ludicrous land. There are thistles and thorns and an occasional mustard seed you’d find on a plate. There are wise men and wiser crows who’ve seen it all. I live in a linguistic land. You can hear broken Bengali and broken hearts along the staircases. You can also hear broken families becoming whole again. I live in a labyrinth-esque land. You need to know the specifics. There are twists and turns and you’ll get lost. But you’ll also get found. Now isn’t that the dream? - Deveshi Bose
Along the streets of Kolkata Along the city of passion and joy We admire the heroes From marvel and abroad Yet we never know or see For whom we walk free They are the unsung heroes Whom we forgot along the road Pre-workshop: Each participant must submit a 100 word write-up on: WHY I WRITE
This submission can take any form – poetry, prose, hybrid – basically the workshop conductors want to get a sense of “who you are” and “what makes you tick” – apart, of course, from getting a sense of your writing skills, and your love for language (in this case English). Participants can submit as individuals, or in pairs… If a pair, the writing submission on WHY WE WRITE must convey the dynamic between the duo – what makes you as a pair want to work i.e. write together… The workshop itself called THE COLLABORATORY will explore what it is like to write as a pair. The workshop conductors Eurig Salisbury and Sampurna Chattarji have been collaborating over the years – devising projects that enable them to explore connections and differences through their poetry in Welsh and English. At the workshop, the young writers will be introduced to the idea of collaboration through a set of exercises and experiments. They will be encouraged to devise mini-projects of their own within a given theme, which they will then work on over the next 2 months, with one submission a month, and the final presentation in January 2018. They will be encouraged not only to write poems but also record the process of collaboration. |
AuthorWritings by young people, either as part of projects they were involved with or submissions they sent Archives
December 2019
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